
The movie was shot on the RED EPIC with Panavision anamorphic lenses
using advances fiber optics. The
camera has a 5k resolution and watching playback on the monitors, every little
detail could be seen. There is a
big chance that this is the camera everyone will be using in the near
future. It’s truly an incredible
fiber optic invention.
This new generation of anamorphic lenses for filmmakers, which are
high‐performance lenses designed for today’s fast‐moving production workflow,
were introduced by Panavision.
The front anamorphic design substantially reduces stop loss, and produces
superior image quality, with minimal aberrations and improved field
illumination. Both zooms have a
constant aperture at all zoom and focus positions, and constant focus at all
zoom positions. Because of their high performance imaging, these zooms are not
restricted to use as variable primes but are fully usable as in‐shot zooms.
Some of Total Recall is being shot in 48fps (frames per second). This will eventually be reduced to
24fps when being projected, but it will make any camera movement look
incredible and it’ll dramatically reduce motion blur. The set of the movie was
also designed so that a camera can spin 360 degrees around. This way the people dressed in
synth-suits can remain still, but the camera will make it seem like they’re
upside down.
Colin Farrell, Kate Beckinsale, and Jessica Biel star in “Total
Recall” the movie that is towing awesome visual effects behind it. The strength
of the movie is its ability to blend practical set making with advanced VFX
techniques to create imaginary worlds with features only movie-makers can conjure.
This remake of the 1990 film that originally starred Arnold Schwarzenegger and
Sharon Stone was actually inspired by the short story “We Can Remember It For
You Wholesale” by Philip K. Dick.
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